HUMAN GEMS
Resin, wood, jesmonite,
rubber, silicon, plaster
Forces of nature are interpreted and turned into human approachable size, like colorful human gems.
Resin, wood, jesmonite,
rubber, silicon, plaster
Forces of nature are interpreted and turned into human approachable size, like colorful human gems.
DEGREESHOW / GOLDSMITH / 2016
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GROWN FROM GROUND
Fired and unfired clay
When clay is fired, it’s transformed into ceramic — a material incapable of returning to its original state.
This project is an ongoing exploration of the relationship between clay and human intervention as well as the possibility for objects to resist time.
Fired and unfired clay
When clay is fired, it’s transformed into ceramic — a material incapable of returning to its original state.
This project is an ongoing exploration of the relationship between clay and human intervention as well as the possibility for objects to resist time.
STUDIO WORK / 2015
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BONE STRUCTURE
Jesmonite, plaster
The shape is made in relation to a human imprint, but only a fragment of it. Like a limb or a piece of bone.
Jesmonite, plaster
The shape is made in relation to a human imprint, but only a fragment of it. Like a limb or a piece of bone.
SURFACE INTIMACY / LIMBO / LONDON / 2016
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TRANSITIONING
Concrete, water
The concrete bowls are placed on a raw concrete floor. Some of the bowls hold water that slowly sips towards the floor, the floor then takes over and starts to absorb the water.
Concrete, water
The concrete bowls are placed on a raw concrete floor. Some of the bowls hold water that slowly sips towards the floor, the floor then takes over and starts to absorb the water.
REVERB / DIG SPACE / LONDON / 2015
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ME AND MY PAPER MATES
Photographic paper
A box of photographic paper has been spread out and exposed to sunlight for a few seconds. Depending on where in the pile the paper have laid,
different patterns and shades have appered.
The idea came from an interest of the life of an object.
Photographic paper
A box of photographic paper has been spread out and exposed to sunlight for a few seconds. Depending on where in the pile the paper have laid,
different patterns and shades have appered.
The idea came from an interest of the life of an object.
PLATONIC SOLID / HARTS LANE STUDIO / 2014
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